A Nicholas Sparks must-read is “The Longest Ride,” which follows two interconnected love stories: Ira Levinson, an elderly man reflecting on his lifelong love for his late wife, Ruth, and Sophia Danko, a college student who falls for Luke Collins, a professional bull rider. As Sophia and Luke navigate their own relationship and the obstacles in their path, Ira’s memories unfold alongside theirs, revealing parallels between the two couples.

The New York Times bestseller, released in 2013, deftly weaves these two love stories together, creating a feeling that is deeply personal. The contrast between Ira and Ruth’s enduring, decadeslong relationship and Sophia and Luke’s more immediate, uncertain romance adds emotional depth and complexity.

The book shows how love can evolve over time through loss and amid difficult choices. There’s also something moving about how art, memory, and sacrifice tie everything together, giving the novel a more reflective, lasting impact.

If you love the book as I do, the movie — released in 2015 and starring Clint Eastwood and Britt Robertson — is equally good.

“The Longest Ride” had a modest box-office performance, grossing about $63 million worldwide against a $34 million budget, making it a mild financial success but not a major hit, according to Box Office Mojo.

Plus, who doesn’t want to stare at Scott Eastwood in a cowboy hat?

“The Last Song” is another Nicholas Sparks classic that balances romance with a deeper, more emotional story about family, forgiveness, and growing up.

The New York Times bestseller, released in 2009, follows Ronnie Miller, a rebellious teenager sent to spend the summer with her estranged father in a small beach town. Initially resistant, Ronnie slowly begins to reconnect with him through their shared love of music while also forming a relationship with a local boy, Will. As the summer unfolds, secrets are revealed, and relationships deepen, leading Ronnie to confront difficult truths about love, family, and loss.

Ronnie’s journey feels especially real — she’s not instantly likable, but watching her slowly open up, reconnect with her father, and find love makes the story more meaningful. It’s not just about the relationship; it’s about healing and second chances, giving it a different kind of emotional weight than a typical romance. The mix of love, music, and loss made it a story that really stayed with me.

The movie, released in 2010, stands out because it brings the story’s emotion to life, with Miley Cyrus and Liam Hemsworth. Their on-screen chemistry feels genuine, especially given their real-life relationship that followed (but eventually ended).

“The Last Song” was a box-office success, earning about $89 million worldwide against a $20 million budget, driven largely by strong domestic performance, per Box Office Mojo data.

“Dear John” is another of my favorites by Sparks because it captures that specific kind of love that feels intense, real, and a little bit out of reach. The New York Times bestseller was released in 2006.

The story follows John Tyree, a soldier on leave, who falls in love with Savannah Curtis, a college student, during a brief summer together. As John returns to the Army, the two maintain their relationship through letters, navigating the challenges of distance and changing life circumstances.

Over time, their love is tested by duty, personal growth, and unexpected choices, turning their story into a bittersweet exploration of what it means to love someone even when life pulls you in different directions.

This feels like a realistic story: John and Savannah’s relationship is affected by distance, timing, and real-life responsibilities.

There’s something especially emotional about the way their connection unfolds through letters, giving their love story a sense of intimacy and longing. It’s not a perfect or easy romance, and that’s part of why it resonates — it shows how love can be powerful even when it doesn’t work out the way you hope.

The “Dear John” movie keeps the book’s emotional heart, while making the romance feel more like Channing Tatum and Amanda Seyfried brought the characters to life. Seeing their story play out in the 2010 film adds another layer to the longing and heartbreak, making the film hit just as hard as the novel.

The “Dear John” movie earned about $115 million worldwide against a $25 million budget, per Box Office Mojo, driven by a strong opening weekend despite mixed reviews.

“A Walk to Remember” is another Sparks staple, released in 1999. It tells a simple, heartfelt story that somehow hits incredibly hard.

The New York Times bestseller follows Landon Carter, a popular but aimless high school senior, whose life takes an unexpected turn when he’s forced to participate in a school play and ends up spending time with Jamie Sullivan, the quiet, deeply religious daughter of the town’s minister.

As their relationship grows, Landon begins to see the world and himself differently through Jamie’s kindness, faith, and unwavering sense of purpose.

What starts as an unlikely connection develops into a profound love story, ultimately revealing deeper truths about compassion, sacrifice, and the lasting impact one person can have on another.

It doesn’t rely on grand twists — it’s the emotional buildup and inevitability of the ending that really stayed with me. It’s one of those books that feels tender and honest, and it lingers long after you finish.

Not only is the book one to remember, but so is the film, which was released in 2002.

Mandy Moore and Shane West bring Jamie and Landon to life in a way that highlights their growth and chemistry, making their relationship feel authentic. These roles couldn’t have been cast better.

According to Box Office Mojo, “A Walk to Remember” earned about $47.5 million worldwide against a $11.8 million budget.

If you haven’t read the book or seen the movie, I’d highly recommend it. Don’t forget the tissues.

“The Notebook” is, hands down, my favorite Nicholas Sparks book. Who doesn’t love Noah and Allie’s love story?

“The Notebook” was released in 1996. The two young lovers from very different backgrounds fall deeply in love one summer in North Carolina. When life pulls them apart, years pass, and they build separate lives, but their connection never fully fades.

The New York Times bestseller is framed by an older Noah reading their story to Allie in a nursing home, a level of devotion hard to top, turning the novel into something not just about falling in love, but about choosing it again and again.

The love between Noah and Allie feels both idealized and grounded, spanning years, obstacles, and, ultimately, memory loss, making it more powerful than a typical love story. I really admired Noah’s strength and patience.

The movie adaptation of “The Notebook” is one of those rare cases where the film is just as good as the book.

It captures the same sweeping romance and emotional depth, while adding a layer of intensity through Ryan Gosling and Rachel McAdams’ unforgettable chemistry.

Iconic moments like the rain-soaked reunion bring the story to life in a way that feels just as powerful as it does on the page.

The movie, which earned about $118 million worldwide against a $29 million budget, doesn’t just complement the novel — it stands right alongside it.

In my opinion, “Nights in Rodanthe” is worth skipping because it feels less emotionally developed than Sparks’s stronger novels.

I know some Sparks fans love this one, but “Nights in Rodanthe” didn’t fully hold my attention. The New York Times bestseller felt a bit thin, with a romance that unfolds too quickly to feel deeply immersive or memorable.

The book “Nights in Rodanthe ” was published in 2002, and a film adaptation was released in 2008, starring Richard Gere and Diane Lane.

Adrienne and Paul’s relationship never quite reaches the emotional depth of Sparks’ more layered love stories, which made it harder for me to fully invest in their connection. While the novel includes his signature themes of longing and heartbreak, I think it ultimately lacks the lasting impact that defines his best work.

“Dreamland,” one of Sparks’ more recent novels and a New York Times bestseller released in 2022, follows two intertwining storylines — a man navigating a complicated relationship and a single father trying to protect his young son — as it explores themes of love, risk, and second chances.

To me, “Dreamland” felt more scattered than cohesive, juggling multiple storylines without fully developing any of them. While it touches on heavier themes, the emotional payoff didn’t land as well for me as in Sparks’ best novels, which made it hard for me to stay invested.

Compared to his more focused, deeply romantic stories, this one feels less memorable and a bit uneven overall.

“The Wish,” which came out in 2021, follows Maggie Dawes, a successful photographer, as she reflects on a life-changing teenage romance and the choices that shaped her future, moving between her past and present to explore love, loss, and second chances.

Yes, the New York Times bestseller has the elements of romance and reflection you’d expect, but the story can feel predictable, and the emotional moments didn’t hit me as hard as in his stronger novels.

In my opinion, compared to his best work, it lacks that lasting impact that really stays with you.

The next Nicholas Sparks book I’d skip is one of his newer books that came out in 2024, “Counting Miracles.”

The New York Times bestseller follows a group of characters whose lives intersect as they grapple with love, loss, and the idea of fate, ultimately exploring how small, unexpected moments can shape a life.

I felt like “Counting Miracles” tried a little too hard to be emotional, without the depth that makes Sparks’ best books stand out. Rather than being moving and uplifting, the story and characters felt pretty predictable, which made it harder for me to stay interested or really connect with it.

It just wasn’t my favorite, to be honest.

My final skip goes to “The Return,” released in 2020. The book follows Trevor Benson, a wounded Army doctor who returns home to North Carolina after his grandfather’s death.

While adjusting to a quieter life, he becomes involved with a local sheriff’s deputy, Natalie, and forms an unexpected bond with a young girl named Callie, who may hold answers about his grandfather’s past. As Trevor navigates love and unanswered questions, the story explores themes of healing, trust, and second chances.

The New York Times bestseller feels less emotionally gripping and more predictable than Nicholas Sparks’ strongest novels. While it has all the familiar elements — romance, mystery, and personal growth — it doesn’t quite come together in a way that feels fresh or especially memorable, which made it hard for me to stay fully invested.

Ultimately, this story didn’t give me the chills like “The Notebook” or “A Walk To Remember” did.

Jaafar’s father, Jermaine, was one of the original members of the Jackson 5, along with his brothers, Jackie, Tito, Marlon, and Michael.

Jermaine was the group’s second lead vocalist (Michael was first) until he left to pursue solo stardom in 1975. He was replaced by his youngest brother, Randy, and the group rebranded to The Jacksons.

Jaafar’s mother, Alejandra Genevieve Oaziaza, was born in Colombia. She graduated from UCLA with a degree in fashion design and marketing, per her LinkedIn, and more recently launched Alejandra Jackson Designs.

Before Jermaine and Alejandra began dating, she was in a relationship with Jermaine’s brother, Randy. Although they never married, Alejandra and Randy had two children together: a daughter, Genevieve, who was born in 1989, and a son, Randy Jr., born in 1992.

“Randy didn’t treat me like I was the one,” Alejandra told the New York Post’s Stacy Brown. “I just thought that Jermaine was different, that he was more family-oriented.”

Jermaine and Alejandra married on March 18, 1995, per People. They welcomed Jaafar on July 25, 1996, followed by his brother, Jermajesty, in 2000.

Jermaine filed for divorce from Alejandra in 2004. It was finalized in 2008 with Alejandra winning physical custody of Jaafar and Jermajesty, TMZ reported at the time.

“Michael” producer Graham King and casting director Kimberly Hardin conducted a worldwide search before offering the role to Jaafar, per NME.

One major snag? Jaafar had no formal dance training or acting credits before “Michael,” save for one episode of “The Jacksons: Next Generation,” a 2015 reality show that followed the lives of his cousins, Taj, Taryll, and TJ (then known as the R&B-pop trio 3T).

Jaafar has said he rehearsed for three years — two of which were part of the audition process — and worked with Michael’s former choreographers, Rich and Tone Talauega, to learn his uncle’s signature dance moves.

“We had to take that syllabus and then infuse it into Jaafar,” Rich said on the KTLA 5 Morning News. “But let me tell you, man, he’s a Jackson, you know, he has this talent deep down inside his DNA. It just took us some time, but we pulled it out of him, and the work that he put into it was exceptional.”

Jaafar already shared his uncle’s musical ambitions; he began playing the piano at age 12 and released his debut single, “Got Me Singing,” in 2019. His website cites Sam Cooke, Marvin Gaye, Stevie Wonder, Nat King Cole, Johnny Mathis, and “his own family’s rich musical heritage” as key influences.

Bucking the recent biopic trend of actors singing live on set — like Timothée Chalamet as Bob Dylan and Jeremy Allen White as Bruce Springsteen — Jaafar did not rely on his own voice to carry the musical scenes in “Michael.”

Instead, the hit songs featured in the movie are “gloriously remastered and superbly lip-synched,” according to Deadline’s chief film critic Pete Hammond.

When it came to dancing and choreography, Jaafar said his goal was not to impersonate his uncle, but rather to embody his performance style.

“That was a challenge,” Jaafar told Entertainment Tonight. “Hitting every moment, every beat, but also having the energy and the showmanship behind the moves, too.”

Jaafar named “Billie Jean” — specifically Michael’s 1983 performance of the song on the TV special “Motown 25” — as the hardest sequence to nail while filming.

When Jaafar landed the lead role in “Michael,” he received a vote of confidence from a core member of his family: Michael’s mother, Katherine Jackson.

“Jaafar embodies my son,” Katherine said in a press release. “It’s so wonderful to see him carry on the Jackson legacy of entertainers and performers.”

The movie’s executive producers include Michael’s eldest son, Prince Jackson, and three of his brothers: Jermaine, Jackie, and Marlon.

All four men attended the Los Angeles premiere of “Michael” at the Dolby Theatre, alongside Michael’s middle sister, LaToya Jackson — a strong show of support from the Jackson family.

“It was a process that I really had to earn, and it really proved to the filmmakers and myself and my family that I can get to that point where I can pull it off,” Jaafar told Today. “I honestly wouldn’t be able to pull this off if I didn’t have the support.”

Michael’s other three siblings — his eldest sister, Rebbie Jackson, his youngest sister, Janet Jackson, and his youngest brother, Randy — were not in attendance and will not be portrayed in the biopic. (Michael’s father, Joe Jackson, played by Colman Domingo, died in 2018. Michael’s brother Tito, played by Rhyan Hill, died in 2024.)

“I wish everybody was in the movie,” LaToya told Variety on the red carpet. On Janet’s absence specifically, LaToya added, “She was asked, and she kindly declined, so you have to respect her wishes.”

Meanwhile, Michael’s daughter, Paris Jackson, has criticized the biopic as “sugar-coated” and clarified that she had “zero percent involvement” in the production.

Paris said she was asked to read one of the first drafts of the “Michael” script and gave notes about details that she felt were “dishonest,” but she was told that her notes wouldn’t be addressed.

“I just butted out and left it alone because it’s not my project,” Paris wrote on Instagram. “They’re going to make whatever they’re going to make. A big reason why I haven’t said anything up until this point is because I know a lot of you guys are gonna be happy with it.”

“A big section of the film panders to a very specific section of my dad’s fandom that still lives in the fantasy,” she added.

Neither Paris nor her younger brother, Bigi Jackson, joined Prince at the film’s star-studded Los Angeles premiere — although Bigi did make a rare appearance to attend the “Michael” premiere in Berlin earlier in the month.

Paris is now involved in a complicated legal battle with the Jackson estate over the movie’s financials. The estate has fired back that Paris has “a complete lack of understanding about how the motion picture industry works and the role of producers in it.”

The sign read, “We love it as much as you do. It’s why we made this collection that captures matcha’s unique vibrancy and energy.”

I was particularly fond of the mug on the far left, with the paint splatters, and the mug second from the right.

We were off to a strong start, but the good vibes didn’t last long.

A grande iced matcha latte at my local Starbucks costs $6.25 for 16 fluid ounces.

I only needed to take one sip to know something did not taste right to me.

Matcha, a type of green tea, is not sweet — it’s bitter. So I usually add a little bit of sweetener to it (most frequently a pump of vanilla).

Starbucks adds, by default, three pumps of classic syrup to a matcha latte, so if I added more syrup, it could be disgustingly sweet.

However, this drink was so bitter that I had to double-check that the syrup had been added. It had — I just couldn’t handle it, I guess.

This drink looked thick and creamy, precisely what I would want, but it ended up being a bit more watery than I thought.

Ultimately, it felt like I was drinking bitter, watery green tea. The chain uses unsweetened powder, which I think threw me off.

Starbucks confirmed that in January 2025, it switched from sweetened matcha powder to an unsweetened one to give customers more customization options.

Once I shook it up and stopped drinking from the straw, the latte got better, but it still wasn’t for me.

Of the three chains I visited, Starbucks easily had the most options to customize its drinks, and it has the most expansive matcha menu, with 16 different types, including Dubai chocolate, banana bread, and lavender cream. Clearly, the chain is responding to customer demand for its matcha.

In the future, I think I would add vanilla syrup or try another flavor combination to reach my preferred level of sweetness. But as it stands, I didn’t love the basic option.

Onto the next!

A medium matcha latte from Dunkin’ set me back $5.49, so it was slightly cheaper than Starbucks and came in a larger size at 24 fluid ounces.

However, it really just tasted like matcha-flavored milk to me.

Both Starbucks and Dunkin’ use three scoops of matcha powder in their standard drinks, but while Starbucks uses syrup to sweeten it, Dunkin’ uses cane sugar.

This didn’t taste bad, but if I was really craving the earthy taste of matcha, I wouldn’t go back to Dunkin’.

That said, I would recommend this to someone who has never had matcha before and is looking to ease into it. They’ll be shopping for the ceremonial grade stuff in no time.

Dunkin’ did not respond to a request for comment regarding its matcha recipe or use of sweeteners.

This cost $5.27 for 16 fluid ounces, placing it in the middle of the three in terms of cost per fluid ounce.

Tim Hortons uses a sweetened matcha powder, which I think made all the difference. They don’t add any additional sweeteners, so this struck the perfect balance of being slightly sweet, not too milky, and still having that earthy flavor.

Tim Hortons did not respond to a request for comment regarding its matcha recipe.

Not too sweet, not too bitter, a reasonable price — what more could I ask for?

Sadly, there’s only one Tim’s in all of Manhattan (in addition to two in Brooklyn and four in Staten Island). The Midtown location isn’t the most convenient from my apartment or office, so I don’t think I’ll be able to add it to the rotation.

I really enjoyed the Timbits I ordered with my drink, too.

Please expand, Tim Hortons! I’ll become a dedicated Horton Head and drink matcha every day if one were closer.